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A couple episodes later, she comes out to Devi, who was out of town for a school trip when Fabiola broke the news to Eleanor. Courtesy of Netflixīy this point, the season is past its halfway mark, but Fabiola still has a little way to go. In response to Eleanor, Fabiola tells her, “I feel like I’ve just solved an escape room I’ve been trapped in all my life.” (Did it just get dusty in here?) Watching Fabiola finally trust someone enough with her news was a joyous and heartfelt moment, especially because of Eleanor’s support and love for her friend.
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The first human she comes out to is Eleanor, who’s absolutely thrilled with the news. The first time she tries, she’s one word away but decides to confess that she’s switching from AP French to AP Latin (much to the despair of her mother, who was looking forward to their Marseilles trip), but this is a step in the right direction. Courtesy of NetflixĪs the show continues, Fabiola gains confidence in small but significant increments, the next happening when she tries to come out to her family. It doesn’t matter if she’s in the background of a shot or front and center she always clearly displays Fabiola’s reactions and emotions, adding a brilliant complexity and realness to Fabiola’s arc. Lee Rodriguez does an incredible job bringing Fabiola’s thoughts to the forefront.
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She doesn’t try to convince herself that she can’t possibly be gay, even if she isn’t quite sure how to process her newfound identity. Up to this point in the show, Fabiola is mainly trying to understand herself before even attempting to tell others. Coming out isn’t an easy step for LGBTQ+ members, and Fabiola’s experience, though not universal, is an honest one. In a bittersweet scene, Fabiola comes out to Gears Brosnan, her robot, relieved that she put words to her feelings, but sad that she still feels she can’t confide in a human.Įpisode 3 is one of my favorite episodes from the show because of Fabiola’s developing story arc. At the nail salon with her mother, she retreats even further into her mind after her mother attempts to prompt a conversation with Fabiola about being girly and whether she has a crush on any boys (which is what her mom assumes after something Fabiola says). When she nonchalantly says “I hate all men,” Eleanor and Devi remind her about Alex Gomez, her “boyfriend.” She quickly recovers but is clearly trapped in her head about it. She panics when Eve tries to invite her to a fundraiser for a queer youth center. Every interaction Fabiola has with Eve is awkward, as she’s visibly uncomfortable with her feelings. The third episode, though not specifically centric on Fabiola, is an excellent episode that showcases much of her struggle with accepting herself while trying to present a different version to her friends and her mother. Though she knows that her and Eve aren’t looking at each other in a “just be friends” way, Fabiola’s first revelation doesn’t make the rest of her self-discovery and coming out any easier. She sees a girl, Eve, standing across the hall and is absolutely entranced by her – all while Devi is talking to her and Eleanor about her new thing with Paxton Hall-Yoshida. The first major indication we get that Fabiola isn’t straight is in the second episode.
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While the show as a whole is delightful to watch from beginning to end, this article will be focused on Fabiola and her journey of discovering her sexual identity this season. The show primarily follows Devi Vishwakumar, a first generation Indian-American teenager, as her and her two best friends Eleanor and Fabiola navigate their sophomore year of high school.
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If you haven’t heard of or watched Netflix’s latest original series Never Have I Ever, you are severely missing out. We will focus on fictional characters, celebrities, and activists alike - the positive voices within the LGBTQ+ community and in mainstream media. Welcome to the first article of our 2020 Pride Month Series! Each day in the month of June, we will be highlighting a different member of the LGBTQ+ community who we think is a great example of representation and dynamic characterization.